Can you explain why you believe the part I quoted was said by Marc Brownstein and not Lefsetz?

I can see where Lefsetz quotes Brownstein. But then there is an end quotation – and the next paragraph begins “Which I agree with…” which is why I took everything after that as Lefsetz’s own words.

“As Bob Lefsetz explains,

The old paradigm of making a record every three, four or five years and flogging it around the world, making sure Inuits and third world denizens are aware of it before you go back into the studio, is dead. It’s about placating your core. And your core does want access, but what it wants most is music. A huge fan will buy your album the day it’s released (if he doesn’t steal it weeks before, and then buy it in support anyway!) and play it incessantly for…a few weeks? I’ve played a number of albums for a week straight. But after that, you know it, you move on, you want something NEW! So, when radio tells you they’ve got the new track by ___________ your ears used to prick up, until you found it was another album cut that you digested YEARS AGO!

Rather than building to a one time event, keep your audience engaged. And they might be interested in what you had for lunch and who you’re screwing, but what they want most is music. Make more music! In today’s world it doesn’t matter if each track is perfect. The audience will separate the wheat from the chaff, then you can play the winners in concert and the various iterations can be traded ad infinitum! The music is alive, it grows and changes, it’s not calcified on wax.

So rather than focusing on a drop date, create a lot along the way, and monetize along the way.”